"My first television job came in college - stocking the green room fridge, picking up deli trays from the supermarket, cleaning up the kitchen set. TV was completely new to me (I had no clue what the Director meant by '2-shot'!). It was an afternoon variety show at the CBS station in Dallas, and it was so much damn fun.
"As the years went by, the jobs got more sophisticated and thankfully so did I. By age 23, I was directing TV in Houston. Local news. Sports talk shows for the new NFL team in town. A field shoot with an ex-President. I even got to work with Peter Jennings (my idol) more than once. I never finished college. These experiences were better than any education I could afford to buy.
"When I was 28 I decided it was time for a sabbatical. I sold everything I had and bought a plane ticket. After backpacking around the world for 18 months, I wasn't ready for the adventure to end. So, I came home and somehow ended up in front of the camera in market #161 (Sherman/Denison, Texas).
"It was probably the hardest job I'll ever have. Digging up stories, running all over the place trying to get interviews, writing scripts, usually shooting and editing my own stuff - even serving as my own live truck engineer.
"As a former TV news reporter, I know what it's like to put yourself out there. Sometimes you're just at the mercy of whoever's in the booth calling the shots.
"That's why it's so important to have a connection with the talent. It's my job to make them look great, sure. But it's more than that - you lead them when they need it, but giving your star the reins is what it's all about. Earn their trust. When they're confident in the Director, they can focus completely on their performance. That's what pros do.
"Live, long-form televised conversations are a special thing. My goal every Sunday morning is to cut the newsmaker interview like nobody else, to make it look like it was edited in a booth. They can go from conversational to adversarial in an instant. Precision scripting with lots of elements - until it's off the rails. Then you roll with it. That's when you earn your money.
"It's live TV. And I absolutely love doing it."
EMPLOYMENT HISTORY
Director, MSNBC; New York, NY — August 2022-present
Staff Director for MSNBC. Direct various shows on both MSNBC and the Peacock streaming platform as assigned.
Director, Fox News; Washington, DC — April 2015-June 2022
Director of "Fox News Sunday w/Chris Wallace," broadcast nationally on more than 190 affiliate stations of the Fox Television Network. Lead production in the control room as well as supervise and coordinate studio personnel. Establish and maintain network-level standards and best practices, while also inspiring individual creative contributions among stage and technical crew members. Communicate directly with on-air host to provide cues and support during the live program. Collaborate closely with executive producer to implement the desired editorial vision. Interpret scripts to conceptualize appropriate shot composition and camera movement. Ensure accuracy of on-screen graphics and effective shot selection in recorded insert materials. Lead critique of final product and appraise staff performance. Foster team growth through regular one-on-one mentoring sessions and active positive reinforcement.
notable accomplishments:
Director, ESPN; Washington, DC — 2015 (freelance/part-time)
Directed the sports entertainment program "Pardon the Interruption.” Supervised and coordinated studio production crew, interpreted scripts, created rundowns, and ensured network-level standards and best practices were maintained. Collaborated with on-air hosts and executive producer to implement desired editorial vision.
Technical Director, CCTV America; Washington, DC — 2013-2015
Shift supervisor for technical operations team. Ensured functionality and readiness of broadcast equipment and personnel. Lead pre-production sessions and prepared control rooms and studios for broadcasts. Operated the Grass Valley Kayak video switcher and associated devices. Directed on a fill-in basis.
Director, WUSA-TV; Washington, DC — 2013
Directed weekday 6pm & 11pm local CBS affiliate newscasts. Occasionally acted as crew chief and technical director for “The McLaughlin Group” syndicated talk show seen on PBS. Operated the Sony MVS-8000 video switcher and associated production equipment.
Technical Director, WESH-TV/WKCF-TV; Orlando, FL — 2010-2013
Switched fast-paced, graphics intensive, live evening news programs and specials for Orlando's NBC and CW affiliate stations. Operated the Sony MVS-8000 video switcher and associated production equipment. Trained junior personnel on video switcher operation, best practices, and standard operating procedures.
Technical Director, Golf Channel; Orlando, FL — 2012 (freelance/part-time)
Worked on a variety of live network programs including The European Tour series tournament broadcasts, "Morning Drive," "School of Golf," and the Japanese-language version of "Live From," airing in Japan. Supervised technical operations personnel and operated the Sony MVS-8000 video switcher and associated devices. Prepared control room in advance of the director’s arrival.
Public Information Officer, Ardmore Police Department; Ardmore, OK — 2009
Managed all external communications and public information functions of a 73-person municipal law enforcement agency. Served as primary contact for print and broadcast media inquiries. Acted as police spokesperson and coordinated news conferences at active scenes. Wrote news releases and prepared electronic press kits. Ensured accuracy of talking points and briefed agency principals in advance of their media appearances/interviews. Member of the executive management team.
notable accomplishments:
Bureau Chief, KXII-TV; Ardmore, OK — 2008
Appeared live on-air and managed Oklahoma news bureau for the Sherman, Texas CBS affiliate (market #161). Supervised news team of 3 people and functioned as lead breaking news and general assignment reporter. Wrote stories for broadcast, interviewed sources, made daily beat calls and participated in editorial meetings. Shot/edited video and operated microwave ENG van under extremely tight deadlines. Responsible for a 9-county coverage area in Southern Oklahoma.
Director, KTRK-TV; Houston, TX — 2001-2006
Directed various “Eyewitness News” broadcasts and the Emmy-nominated sports talk show “Houston Texans: Inside the Game.” Sketched out and personally designed and constructed multiple TV sets for weekend sports programs. Successfully completed a number of high-profile assignments including field production for the Houston-based national broadcasts of ABC's "World News Tonight with Peter Jennings," in addition to serving as Technical Director for Jennings' town-hall special.
Technical Director, KHWB-TV; Houston, TX — 2000-2001
Operated the Sony DVS-7350 video switcher. Launched the station's 9pm startup newscast as the primary audio technician (A1) and earned a promotion to Technical Director within six months.
Audio Technician, Texas Cable News; Dallas, TX — 1998-2000
A1 for prime time news shows. Developed technical audio infrastructure for TXCN, a startup 24-hour cable news channel. Performed initial operational setup of the facility's digital audio console, intercom/IFB, and other key audio components.
Studio Production Assistant, KTVT-TV; Dallas, TX — 1998
Part-time Studio PA on "Positively Texas, Live!”, a daily talk/variety show with celebrity and musical guests. Duties included green room prep, supermarket missions/catering procurement, guest wrangling, and kitchen set cleanup.
SKILLS
EDUCATION
DeKalb High School, DeKalb, TX, 1997, National Honor Society
Texarkana Community College, Texarkana, TX, 1997
University of Texas at Arlington, 1997-1999 (degree not completed)
REFERENCES
available upon request
Robin Beal is strongly committed to diversity and inclusion in television arts, and prefers to work with individuals and corporations who share this commitment. Please consider supporting organizations like The Trevor Project .